Three Injunctions.


Looking at the first two sections of the Organon we find the three injunctions – to cure promptly, mildly and permanently.

Thus Hahnemann states the highest ideal of a cure which is rapid, gentle and permanent restoration of health or removal of disease in its whole extent in the shortest, most reliable and harmless way. Let us consider what we mean by a cure.

The physician who has not been trained in homoeopathic philosophy answers that a cure consists of the disappearance of the pathological state. Does it? We believe not. For instance, does the removal of haemorrhoids constitute a cure of the patient? If so, why do so large a percentage of operated cases return? Does the removal of the carcinomatous breast cure the patient? If so, why do they return so frequently? Does the removal of eruptions on the skin constitute a cure? If so, why are they followed by various internal disorders which local measures fail to relieve?

No, these are not cures.

They are simply the removal of the visible symptom and one symptom does not make a picture of the diseased patient. We must go to the back of this manifest symptom to the totality of this patient’s symptoms and take these into consideration when making our prescription, and restore to health by removing these symptoms; then the external manifestation will disappear. There should always be an inward improvement when an external symptom has been made to disappear. If the removal of symptoms is not followed by restoration to health it cannot be called a cure.

In Sec. 70 we find the following: “All that a physician may regard as curable in diseases consists entirely in the complaints of the patient and the morbid changes of his health perceptible to the senses; that is to say, it consists entirely in the totality of symptoms through which the disease expresses its demand for the appropriate remedy; while, on the other hand, every fictitious or obscure internal cause and condition, or imaginary material, morbific matter are not objects of treatment.”

An excerpt from “How to Use the Repertory”, by Glen Irving Bidwell.





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